But it’s the nine-blade aperture that sets this lens apart. The special aspherical glass element ensures superb optical performance with no distortion or aberration. With its f/1.8 large aperture, this Sony EF prime lens is turning heads. And it’s turning out to be a must-have prime lens. But the Sony FE 35mm f/1.8 is a recent release. People often see 35mm prime lenses as limited or job-specific. It’s a top-quality and versatile piece of equipment. You can switch from street photography to portraits without having to change lenses. The Sony FE 24-105mm f/4 ED G OSS is a go-to lens for many photographers. But it might struggle in darker situations. It gives you enough to play with, allowing for varying depths of field and bokeh effects. The minimum aperture is f/22, while the max aperture is f/4. And the autofocus system is excellent, using Sony’s unique Direct Drive Supersonic wave Motor (DDSSM) system. The manual focusing ring is responsive and smooth. The image quality is pristine and clear no matter what you’re shooting. The quality of the glass elements means minimal chromatic aberration throughout the zoom range. The elements are made with precision engineering, giving you corner-to-corner resolution. Four are aspherical, and three are extra-low dispersion elements. The lens is comprised of seven glass elements. It’s not a macro lens, but that’s still close up. It also gives you a minimum focusing distance of 38 cm. It’s a powerful zoom, so you can get those shots that are usually out of reach. It’s a zoom lens with a focal length range of 24 to 105mm, giving you a lot to play with. If you were only allowed to leave the house with one lens, this is the lens you’d want to have. It’s a standard zoom lens with a wide range of shooting options. Yes, it would've been nice to have built-in variable nd's, but slap a vnd on your glass and you're going to be fine.If you buy a product through one of our referral links we will earn a commission (without costing you anything).įor our top pick, we’re going with the best all-around lens. So, who is this camera ultimately for? For anyone who wants quality that matches high-end cinema cameras. For me, it matches all the things I want in a camera - Image quality, ease of use, and relative affordability. The small form factor is great for run and gun shooters, especially with the top handle with the audio pre-amps. The colors straight out of camera can be matched with their entire cinema line. The auto focus and the stabilization with Sony native glass that also has stabilization is pure butter (for the foreseeable future, my gimbals will be collecting dust). was left wanting a higher quality image, and since I can't afford a Venice, Alexa Mini, or Red, it was a toss up between the Sony A7SIII and the Sony FX3, and eventually ripped the bandaid of anxiety and got the FX3. I primarily wanted a camera for video and the A7III fit for me, but I. I dug deep into what I wanted out of my first camera and three must haves were: Image quality, ease of use, and affordability. Well, I upgraded from the A7III, which is an incredible camera by itself, it was my first-ever camera, and I can say that I love the user interface, ease of use, and overall, the look of the images from Sony. I've been seeing the question a lot on forums and video reviews, "Who is this camera for?"
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